After uniqueness : a history of film and video art in circulationLanguage : EnglishNew York : Columbia University, copyright 2017VIII, 296 orrialde : zuri-beltzeko irudiak ; 23 cm(Ikus) Testua: bitartekorik gabeSeries : Film and Culture (Columbia University)ISBN : 9780231176934.Art and motion pictures | Video art | Motion picture industry | Abstract List(s) this item appears in: Elias Querejeta Zine Eskola
|Location||Collection||Call number||Status||Date due|
|Orokorra / General||Elias Querejeta Zine Eskola||23 BAL aft (Browse shelf)||Checked out||04/01/2019|
Bibliografia: 271-284 orrialdeetan.
Artists, filmmakers, and theorists have found in the copy a utopian promise or a dangerous inauthenticity—or both at once. From the sale of film in limited editions on the art market to the downloading of bootlegs online, from the singularity of live cinema to video art broadcast on television, Erika Balsom traces the ambivalence of reproducibility through the intersecting histories of experimental cinema and the moving image in art. Through a comparative analysis of selected distribution models and key case studies, including discussions of major figures such as Stan Brakhage, Leo Castelli, and Gregory Markopoulos, After Uniqueness demonstrates how the question of image circulation is central to the history of film and video art.