Documentary time : films and phenomenologyLanguage : EnglishMinneapolis ; London : University of Minnesota, copyright 2008XVII, 170 orrialde : zuri-beltzeko irudiak ; 26 cm(Ikus) Testua: bitartekorik gabeSeries : Visible evidence (University of Minnesota)ISBN : 978-0-8166-4968-6 ; 0-8166-4968-5 ; 978-0-8166-4969-3 ; 0-8166-4969-3 .Time in motion pictures | Documentary films | List(s) this item appears in: Elias Querejeta Zine Eskola
|Location||Collection||Call number||Status||Date due|
|Orokorra / General||Elias Querejeta Zine Eskola||23 WAH doc (Browse shelf)||Available|
Finding the theoretical space where cinema and philosophy meet, Malin Wahlberg’s sophisticated approach to the experience of documentary film aligns with attempts to reconsider the premises of existential phenomenology. Wahlberg discusses a corpus of classical and recent experiments in film and video in which creative approaches to the time of the image and the potential archive memory of filmic representation illuminates meanings of temporality and time experience. She also offers a methodological account of film and brings Deleuze and Ricoeur into dialogue with Bazin and Mitry on the subject of cinema and phenomenology. Drawing attention to the cultural significance of the image's imprint as a trace of the past, "Documentary time" brings to bear phenomenological inquiry on nonfiction film while at the same time reconsidering the existential dimensions of time that have always puzzled humans.