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  Michael Biberstein : über die Apotheose des menschlichen Geistes im Sehen der landschaft : bilder = on the Aphoteose of the Human Spitrit trough the Seeing of Landscape : paintings

Biberstein, Michael
Other(s) author(s) : Kunstverein für die Rheinlande und Westfalen, [argitaratzaile]Language : GermanDüsseldorf : Kunstverein für die Rheinlande und Westfalen, 198981 orrialde : koloretako eta zuri-beltzeko irudiak ; 28 cm(Ikus) Testua. (Ikus) Irudia (finkoa ; bidimentsiokoa): bitartekorik gabeISBN : 3-925974-08-3.Michael Biberstein. Über die Apotheose des menschlichen Gesites im Sehen der Landschaft / On the Apotheosis of the Human Spirit trhough the Seeing of Landscape
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"Michael Biberstein. Über die Apotheose des menschlichen Gesites im Sehen der Landschaft / On the Apotheosis of the Human Spirit trhough the Seeing of Landscape" erakusketaren katalogoa. Catálogo de la exposición.

Argazkiak: José Alegria, Michael Biberstein, José Fabriao, Antxón Hernández, Galerie Hufkens, Ralph Kleinhempel, Museum van Hedendaagse Kunst, Galería Marga Paz, Galerie anit, Nic Tenwiggenhorn.

Testuak: Jiri Svestka, Ana Nobre de Gusmao, Urs stahel, Joao Pinharanda, Michael Biberstein.

Only rarely can landscape-painting be explained as arising from a need to depict one's own environment, and if at all, then only within the bounds of the European tradition. Outside this cultural sphere it stands much more plainly for man's constant attempt to overcome the trauma of his own finiteness. A landscape-painting unites phenomena as contradictory as transcendental metaphysics and optical perspective, the moment at hand and timelessness, heights of subjectivity and realistic objectivity all on a par. It is at once impression and expression. A landscape-painting will subsume art itself, touching upon every facet of its quality and valency; it is both private and public, existential and transparent. This would make landscape-painting as a synthesis of transiences (Chinese landscape-painting) seem ideally suited to formulating the new premises that arise from analysis of whatever preceded (Cézanne, Montagne Sainte-Victoire).
Michael Biberstein is one of those artists who have developed a dense oeuvre outside the established artistic mainstream. Precisely his decentral position has enabled him to recognise the necessity for change and to practise it in pictures. His landscape-painting is no retrogression but his way of creating a yet unspent human basis (for landscape is both a mirror of man and a projection screen for his utopias).

Testuak alemanieraz eta ingelesez.
Textos en alemán e inglés.

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