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  The sound studies reader

Other(s) author(s) : Sterne, Jonathan, [editore]Language : EnglishLondon ; New York : Routledge, 2012566 orrialde ; 25 cm(Ikus) Testua: bitartekorik gabeISBN : 978-0-415-77130-6 ; 978-0-415-77131-3.Sound -- Recording and reproducing | Critique
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Orokorra / General
Arteleku 24 SOU (Browse shelf) Available 681280
Orokorra / General
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Testuak: Don Ihde, Jacques Attali, Jody Berland, Michel Chion, Charles Hirschkind, Steve Goodman, Mara Mills, Kate Crawford, R. Murray Schafer, Shuhei Hosokawa, Emily Thompson, Richard Cullen Rath, John Picker, Karin Bijsterveld, Stefan Helmreich, Barry Blesser, Linda-Ruth Salter, Michael Bull, John Mowitt, Rick Altman, Friedrich Kittler, James Lastra, Trevor Pinch, Frank Trocco, Louise Meintjes, Lisa Gitelman, Jason Stanyek, Benjamin Piekut, Frantz Fanon, Michèle Martin, Michelle Hilmes, John Durham Peters, Gerard Goggin, Ana Maria Ochoa Gautier, Richard Leppert, Georgina Born, Douglas Kahn, Kodwo Eshun, Michael Veal, Brandon LaBelle, Tara Rodgers, Jacques Derrida, Roland Barthes, Alexander Weheliye, Adriana Cavarero, Jacob Smith, Mladen Dolar.

"The sound studies reader" blends recent work that self-consciously describes itself a "sound studies" along with earlier and lesser-know scholarship on sound from across the humanities and social sciences. "The sound studies reader" touches on key themes like noise and silence; architecture, acoustics and space; media and reproducibility; listening, voices and disability; culture, community, power and difference; and shifts in the form and meaning of sound across cultures, contexts and centuries. Writers reflect on 1crucial historical moments, difficult definitions, and competing accounts of the role of sound in culture and everyday life. Across the essays, readers will gain a sense of the range and history of key debates and discussions in sound studies.
The collection begins with an introduction to welcome novice readers to the field and acquaint them with the manin issues in sound studies. Individual section introductions give readers further background on the essays and extensive bibliographies for further reading in sound studies make this an original and accesible guide to the field.

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